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Beyond the Real, Into the Soul. Interview With Contemporary Realist Painter Lukas Priecko

Posted on 04/09/202520/09/2025 by Fabio Pariante

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Lukáš Priečko, contemporary realist painter from Slovakia. Photo © Courtesy of the artist

Tell us what you do and your beginnings.

I am a contemporary realist painter working primarily with oil and graphite. My paintings explore the duality between the physical state of reality and our inner space, the unconscious, memory, and the fragile perception of existence.

Since childhood, I’ve been fascinated by reality itself, by the simple yet impossible question of how everything around us even exists, and how we each interpret it in our own way. That sense of awe has never left me; it became the foundation of my artwork.

Later, while studying industrial design, I deepened my skills in observation and realistic drawing. From the beginning, realism felt like the most natural way for me to communicate. I experimented with different styles, but they always felt like trying to speak in a foreign language.

Realism, with all its imperfections and possibilities, became my authentic voice. It allows me to communicate emotions and ideas in the most honest way I know. Over time, my focus has shifted from pure precision to atmosphere, depth, and the contemplative space that lies beyond the visible surface.

House No. 64, 2025 © Courtesy of the artist

What does your work aim to say?

My work speaks through duality. On one hand, I use the precise language of realism, an attempt to capture the physical state of things, the awe of reality itself. On the other hand, I’m interested in what lies beyond the visible, our inner space, the unconscious, the shifting states of mind that shape how we perceive existence.

For me, a painting is not simply about reproducing what is in front of me, but about creating a space where these two dimensions overlap, the tangible and the intangible, the ordinary and the profound. Even though my paintings may appear realistic, they are in essence abstract: stripped of narrative, emptied of event, they offer instead a quiet place for reflection.

What I aim to say is not a fixed message, but an invitation: to pause, to contemplate, to notice how reality and inner reality coexist in fragile balance.

I translate this duality into my work through the coexistence of paradoxes. Old architecture standing beside modern features, traces of decay revealing the passage of time, romantic light in contrast to harsh, raw environment, and so on.

The Laundry Room, 2024 © Courtesy of the artist

These details carry a subtle nostalgia, reminding us that reality is never fixed but layered, shifting, fragile. By observing these juxtapositions, I invite the viewer to contemplate their own perception of existence, how past and present, material and mental, constantly intertwine.

Where do you find inspiration for your art?

I usually find inspiration in my own surroundings, in overlooked corners, in the traces of time on architecture, and in the ordinary details of daily life. These fragments interest me because they leave space for contemplation. They are not about telling a clear story, but about holding a question, an atmosphere, or a feeling that cannot be fully explained.

The bittersweet reality of everyday life is an endless source of inspiration. I seek out ordinary scenes and objects that, in some way, reflect my inner state, my thoughts, and my perception of the world. What might seem mundane on the surface often carries multiple layers of meaning for me, sometimes even paradoxes.

Continue on MuseumWeek Magazine.

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