Skip to content

FABIO PARIANTE

Journalist & Art Writer on creativity & society

  • X
  • Instagram
  • Facebook
  • Threads
  • LinkedIn
  • TikTok
  • Bluesky
  • YouTube
Menu
  • Home
  • Interviews
  • Collaborations
    • #MuseumWeek Magazine
    • ArtExplored
    • Artribune
    • Frontrunner Magazine
    • Wired Italia
    • Dove – Corriere della Sera
    • Discover Magazine Expedia
    • Interviews
    • Arte.it
    • Contributions
  • #MuseumWeek
  • About.Me
  • Contacts
Menu

6 questions to Paolo Giulierini from Archaeological Museum of Napoli

Posted on 07/04/202007/04/2020 by Fabio Pariante

Share the post "6 questions to Paolo Giulierini from Archaeological Museum of Napoli"

  • Facebook
  • Twitter

1.What is your museum about and what are its challenges?

MANN is a concentrate of the most sublime expressions of classical art: Greek-Roman sculpture, painting and bronzes tell us about a world that has structured the basis of each successive cultural trace of the West. The Institute teaches that without knowledge of the past we are men without a critical sense: this message intends to spread it democratically to everyone, especially to young people in difficulty and the weakest links in the social chain, becoming more and more an open square.

2.What kind of remarkable digital innovation would you like to share with us? It can be online and/or in your physical space.

With over 4 million downloads, the “Father and Son” video game has shown that some innovations speak a universal language and have a viral spread. This is why we have planned a second episode because, among other things, it embraces the ICOM principles of “learning while having fun”.

3.What are the social media platforms that your museum chose for its digital presence and who are your primary target audiences?

We are very active on Facebook and Instagram and, through these platforms, we dialogue with a part of young people that is more difficult to attract. The new technologies we use in social networks also help us: 3D reconstructions, augmented reality, virtual reality, lead to a visit that must also have a strong historical background.

4.If you had to keep one social media platform to reach youngsters, which one would you pick?

Today Instagram prevails, but one must be careful because the image does not express everything. Over time, the word was invented to communicate the nuances: losing this means losing the possibility of expressing the contents well. Museums are also important in overseeing this aspect, concentrating iconography and inscriptions in one place.

5.Tell us how are you facing the coronavirus emergency with the museum? What strategies are you using.

We are organically presenting all the results of these past years on social networks: reopened sections, exhibitions, cartoons, short films and educational activities, trying to maintain a constant dialogue with our audience which, among other things, has over 8000 subscribers; at the same time, we collect considerations and advice: ideas and suggestions, for a new restart.

6.Do you have a professional alter-ego somewhere in the world to whom you would like to ask a professional question?

To the Director of the Bardo Museum − in my opinion one of the absolute novelties in Mediterranean culture − I would like to ask how the Bardo got up after the terrible act of terrorism. She has just arrived, but her strength and enthusiasm, in addition to being a woman (which is not obvious in some contexts), have been the best possible answer to obscurantism.

Interview by Fabio Pariante, journalist

MORE

MANN on social networks: Twitter – Instagram – Facebook – YouTube

Paolo Giulierini (Cortona, 1969) is an Italian archaeologist from Tuscany. He graduated in Etruscology and Italic Antiquities and specialized in classical archeology (1996) at the University of Florence, where he also did teaching. After various positions in Tuscan cultural institutes, from 1 October 2015 he is the Director of the National Archaeological Museum of Napoli, until 2023.

As MANN Director, he planned and curated the reopening of the Egyptian, Epigraphic, Magna Grecia and Prehistory sections. He promoted the restyling of the so-called “New Arm of the museum”, with the rearrangement of the teaching spaces, for the restaurant, the auditorium and the Pompeian Technological Section.

In addition to the contemporary art exhibitions, numerous archaeological retrospectives have been held in the museum, such as those dedicated to the Lombards and Canova. Then many international loans were agreed with which important exhibitions abroad were planned. Giulierini has entered into agreements with the Hermitage of St. Petersburg, the J.P. Los Angeles Getty, the Colosseum Archaeological Park and the Sicily Region. The “Father and son” projects, the first archaeological video game (also in Neapolitan language), and the “Obvia” university program were launched for museum communication.

In 2017, the Italian art magazine Artribune recognized MANN as the best museum in Italy for innovation; in 2018, always Artribune awarded Giulierini the best Director of Italy. He was Interim Director of the Archaeological Park of the Phlegraean Fields, from February 2018 to May 2019.

Per MuseumWeek Magazine

Share the post "6 questions to Paolo Giulierini from Archaeological Museum of Napoli"

  • Facebook
  • Twitter

Follow Me On

Follow me on Instagram

Check out my Substack and follow me

Tweet to @FabioPariante

Recent Articles

  • From the Spotlights to Luz, the Seed of Spirituality and Rebirth. Interview with artist Ludovico Tersigni
  • The Art of Jazz: Passion, Teaching, and Innovation. Interview with Maestro Massimo Nunzi
  • Samara Couri and the Art of Reflection: Between Ecology, Myth, and Relationship
  • Metamorphosis of Matter: The Image as a Living Body. Interview with visual artist Gal Weinstein
  • The Alchemy of Color: When Painting Becomes Flesh and Spirit. Interview with Konstantinos Kyrtis
  • The Wings of Color: Dejana Nezic’s Barrier-Free Art
  • Taylor Smith and the Poetry of the Obsolete. The interview
  • When the Earth Speaks. The Kinetic Art of Bob Landstrom
  • The Scream of Painting. Interview with Artist Gordon Massman
  • Beyond the Real, Into the Soul. Interview With Contemporary Realist Painter Lukas Priecko
  • Painting as Interior Geography. An Interview with Artist Anna van den Hoevel
  • Anatomy of Empathy Through the Art of Laurie Victor Kay. The Interview
  • Visual Alchemy and the Memory of Gesture. Interview with Shirley Yang Crutchfield, a Self-taught Artist Who Shapes Gold with Her Soul
  • A Meeting of Souls in the Work of Artist René Romero Schuler
  • Stitched Memory: Between Matter and Body. Interview with Artist Michelle Alexander
  • “My Practice Has Become a Direct Response to War, Shaped by The Urgent Reality Around Me”. Interview with Visual Artist Alina Zamanova
  • From the Brush to the Metaverse: the Creative Evolution of Artist Giovanni Motta
  • Futuristic Aesthetics Through the Eyes of Digital Artist Morten Lasskogen

  • X
©2025 FABIO PARIANTE | Design: Newspaperly WordPress Theme