Skip to content

FABIO PARIANTE

Journalist & Art Writer on creativity & society

  • X
  • Instagram
  • Facebook
  • Threads
  • LinkedIn
  • TikTok
  • Bluesky
  • YouTube
Menu
  • Home
  • Interviews
  • Collaborations
    • #MuseumWeek Magazine
    • ArtExplored
    • Artribune
    • Frontrunner Magazine
    • Wired Italia
    • Dove – Corriere della Sera
    • Discover Magazine Expedia
    • Interviews
    • Arte.it
    • Contributions
  • #MuseumWeek
  • About.Me
  • Contacts
Menu

4 questions for Nikolaos Chr. Stampolidis from the Acropolis Museum of Athens

Posted on 17/04/2022 by Fabio Pariante

Share the post "4 questions for Nikolaos Chr. Stampolidis from the Acropolis Museum of Athens"

  • Facebook
  • Twitter

1.What is your museum about and what is your work there?

The Acropolis Museum is a thematic museum, not only of one archaeological site, like the Acropolis, the Rock and its slopes, but a museum representing the culmination of Greek civilization and the elegance and beauty of the classical period. The Museum presents artworks and exhibit-monuments that incorporate and reflect great universal ideas and meanings, such as democracy and world values. Becoming a center and meeting place for classical culture and education for future generations, both in Greece and abroad, is one of our key strategic goals.

Naturally, the ultimate objective of the Acropolis Museum is the reunification of the Parthenon sculptures. A great start has been made with the recent return of ten fragments of the sculptural decoration of the Parthenon from the National Archaeological Museum in Athens, but also of the renowned ‘Fagan fragment’ from the A. Salinas Museum in Palermo, for at least eight years.

New fragment from the National Archaeological Museum placed in the Parthenon frieze © Acropolis Museum

The significance of the return from Palermo does not lie in the long-term nature of the deposit of the fragment to the monument to which it belongs, the Parthenon frieze at the Acropolis Museum, but in the prospect of remaining here permanently, as declared by the Italian authorities.

2.What is the impact on your digital activity? Do you have tips to share with your colleagues?

Our digital activity gives us the opportunity to inspire and engage visitors around the world through our web platform www.theacropolismuseum.gr and social media pages. Over the past year we’ve been successful reaching out to new digital audiences by presenting a fresh perspective of the Museum – more than 2.100 exhibits are currently available online, conservation activities are being presented, the relation of the Museum to the Parthenon and other educational aspects – all creating awareness and new interest.

We have recently upgraded the online application www.parthenonfrieze.gr, which gathers photographs and descriptions of all the frieze blocks preserved today in the Acropolis Museum and abroad. Both general public and scholars have the opportunity to gain a thorough view of this unique sculptural work of art, through mobile devices.

View of the Acropolis monument from the Parthenon Gallery © Acropolis Museum

The #ReuniteParthenon is the hashtag we have initiated on social media, to keep an ongoing interest about the return of the Parthenon sculptures. The special platform www.acropolismuseumkids.gr has been developed for children presenting fun activities and games for kids to practice at home.

3.What advice would you give a visitor to fully discover your museum?

The Acropolis Museum is the ultimate place where visitors can admire archaic and classical beauty, but also learn through the exhibits about issues regarding politics, philosophy and aesthetics. The upward sloping floor as visitors start their walk in the Museum exhibition areas reflects the path that someone in antiquity would have followed as they ascended the Acropolis Rock, to finally reach that ultimate beauty in the Parthenon Gallery on the third floor.

Natural light coming through the large windows in the Archaic Acropolis Gallery on the first floor creates the feeling of an open space where the ancient sculptures displayed there were originally erected. One can find beauty in so many exhibits in this gallery; the Euthydikos Kore is among my favorites. The beauty of marble is that, while being a hard material, it still preserves the elegance, the sensitivity and the centuries of wear and tear to deliver to future generations. On the same floor, the famous Karyatids and the exhibits from the Temple of Athena Nike should not be missed. The Museum’s exhibition culminates on the third floor, which has been specially designed to accommodate the architectural sculptures of the Parthenon, the symbol of world civilization.

  • Night view of the Acropolis Museum © Acropolis Museum

In order to discover interesting, frequently unknown aspects of the ancient world, visitors to the Acropolis Museum can join gallery talks offered by our archaeologists, while children’s workshops are very popular among families. The Museum’s ongoing events also encompass other forms of art, such as music and dance, by esteemed cultural institutions such as the Greek National Opera. It is important to note that the Museum is accessible to all; one can borrow a wheelchair or the short guide in Braille from the Information Desk, while special ramps for wheelchairs and strollers at all entrances, elevator access and WCs for people with disabilities on all floors, are all available in the Museum premises.

Continue on #MuseumWeek Magazine. 

Share the post "4 questions for Nikolaos Chr. Stampolidis from the Acropolis Museum of Athens"

  • Facebook
  • Twitter

Follow Me On

Follow me on Instagram

Check out my Substack and follow me

Tweet to @FabioPariante

Recent Articles

  • From the Spotlights to Luz, the Seed of Spirituality and Rebirth. Interview with artist Ludovico Tersigni
  • The Art of Jazz: Passion, Teaching, and Innovation. Interview with Maestro Massimo Nunzi
  • Samara Couri and the Art of Reflection: Between Ecology, Myth, and Relationship
  • Metamorphosis of Matter: The Image as a Living Body. Interview with visual artist Gal Weinstein
  • The Alchemy of Color: When Painting Becomes Flesh and Spirit. Interview with Konstantinos Kyrtis
  • The Wings of Color: Dejana Nezic’s Barrier-Free Art
  • Taylor Smith and the Poetry of the Obsolete. The interview
  • When the Earth Speaks. The Kinetic Art of Bob Landstrom
  • The Scream of Painting. Interview with Artist Gordon Massman
  • Beyond the Real, Into the Soul. Interview With Contemporary Realist Painter Lukas Priecko
  • Painting as Interior Geography. An Interview with Artist Anna van den Hoevel
  • Anatomy of Empathy Through the Art of Laurie Victor Kay. The Interview
  • Visual Alchemy and the Memory of Gesture. Interview with Shirley Yang Crutchfield, a Self-taught Artist Who Shapes Gold with Her Soul
  • A Meeting of Souls in the Work of Artist René Romero Schuler
  • Stitched Memory: Between Matter and Body. Interview with Artist Michelle Alexander
  • “My Practice Has Become a Direct Response to War, Shaped by The Urgent Reality Around Me”. Interview with Visual Artist Alina Zamanova
  • From the Brush to the Metaverse: the Creative Evolution of Artist Giovanni Motta
  • Futuristic Aesthetics Through the Eyes of Digital Artist Morten Lasskogen

  • X
©2025 FABIO PARIANTE | Design: Newspaperly WordPress Theme